Director’s Diary: Recording the New Audio Edition of Olive Kitteridge

by Kelly Gildea, Audio Director/Producer

What happens when one of the very best books you’ve ever read suddenly pops up on your project list? You freak the hell out, that’s what. I read Olive Kitteridge a few years ago, during a lazy weekend in Palm Springs. It was a “read for fun” title and I can tell you, that is a rarity for me.

I feel immensely lucky to work in audiobooks and to be surrounded by literature, but it means that I’m constantly reading. And I’m a pretty slow reader, so I just don’t have the time or the bandwidth to check out many titles that I’m not already working on. If a book has won the Pulitzer Prize for Fiction (as Olive Kitteridge did in 2009), it’s generally on my radar. Combined with the fact that Elizabeth Strout is a literary hero of mine, and that Olive Kitteridge is a collection of short stories, it felt like the perfect choice for a weekend getaway. It was.

Director/Producer Kelly Gildea

Director/Producer Kelly Gildea

I spent those days mostly poolside, mostly melting, being knocked out repeatedly by this book and this character. And Olive is a CHARACTER. From the very first moment she enters the scene, you have a strong sense of who this woman is and what she represents. Unapologetic, crude, fragile, her presence is large and palpable. I would call this story collection, in which Olive is not always featured but appears repeatedly, a masterpiece. (Thank you, Pulitzer committee.)

I knew that Elizabeth Strout was writing a sequel to Olive and I’ve been losing my mind in anticipation. So you can imagine my delight when I found out that PRH Audio would be releasing a new recording of Olive Kitteridge just ahead of Olive, Again (which publishes in October). Two audiobooks by THIS author featuring THIS character? I could not be more thrilled!

As with Elizabeth Strout’s two previous novels, I knew right away that I wanted to direct the program and that I’d like to cast Kimberly Farr as the narrator. Kimberly is one of the finest actresses I know, and she gets Elizabeth’s stuff. The tone, the pace, the shifts of energy (which can be volatile), Kimberly inherently understands these things and is able to translate them beautifully. I knew, too, that Elizabeth really loved the work Kimberly did on her previous books, My Name Is Lucy Barton and Anything Is Possible and would likely endorse this decision. I’m happy to say that she did, enthusiastically.

So, how did Kimberly and I prep? We decidedly did NOT watch the HBO miniseries featuring Frances McDormand and Richard Jenkins, two actors that we greatly admire. I was afraid of being influenced by those performances, and did not want our decisions to be based on others’ interpretations of this text. I felt we needed to approach it with no preconceived notions.

The book takes place mostly in Maine, so naturally we contemplated the handling of that accent, which is incredibly specific, since there are hints of it peppered over the dialogue. Luckily, we consulted with Elizabeth and she politely requested that we NOT use accents, for anyone. So, though our characters hale from Maine, the sound of our production is regionally unspecific.

We also reached out to Elizabeth to clarify some pronunciations and a few lingering questions. I even asked her, at one point, “So, when Henry is referring to ‘her’ here, who does he actually mean, since two women are mentioned in this sentence?” Elizabeth was, I think, touched by our level of devotion and answered these questions quickly and thoughtfully, and with her usual wit and charm. I still thrill over the chance to chat with her.

And what can I say about those recording sessions? Well, they were emotional and the recording shows it: it’s lovely and moving and Kimberly gave this book everything it was asking for. These stories are glimpses into the lives of the people who inhabit a small town in Maine, with Olive being the most prominent among them. Kimberly perfectly captures Olive in all her complex glory, but she also breathes vivid life into the whole cast of characters, young and old alike.

We’re quite proud of this recording and excited to share it with you. And we’re happy to report that we’ll be returning to the booth this summer to record Olive, Again. And only AFTER that recording will we be tuning in to the HBO series to see more of Olive! I don’t think I’ll ever tire of her.

Listen to clips and learn more about the titles Kelly mentions above!:

Winner of the Pulitzer Prize. Now an Emmy Award-winning HBO Miniseries starring Frances McDormand and Bill Murray.

In a story more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives through the presence of one larger-than-life, unforgettable character: Olive Kitteridge. Listen to this brand new audio production read by award-winning narrator Kimberly Farr.

Coming to audio on October 15, 2019!
#1 New York Times bestselling author and Pulitzer Prize winner Elizabeth Strout continues the life of her beloved Olive Kitteridge, a character who has captured the imaginations of millions of readers.

“Sometimes there’s an echo of Strout’s inimitable Olive Kitteridge in Lucy Barton’s mother, and what a gift that is. This story of family, poverty, aspirations, and obstacles is immediately gripping, thanks to the combination of Strout’s high-quality prose and Kimberly Farr’s nearly flawless performance…Farr captures Lucy’s clear-eyed outlook, which rises above any self-pity or melodrama. The conversations Lucy has with her peppery mother are so believable that one becomes immersed in the production.”—AudioFile, Earphones Award Winner

“Strout’s immense readership will surely appreciate Farr’s careful, empathic rendition of her latest classic-in-the-making.”—Library Journal, starred review

“Through a series of linked stories, Strout revisits the small-town world she introduced in My Name Is Lucy Barton. In an impressive encore performance of Strout’s prose, Kimberly Farr successfully mines the essence of each flawed character, giving hope and pain equal billing without succumbing to theatrics. Farr teases out the conflicting emotions of a mother and daughter who are reunited after years apart, the fragility of a Vietnam War veteran on the brink of a PTSD flashback, and the guilt a man feels over his father’s long-ago sins. Farr’s presence melts into the background, allowing the stories themselves to take center stage. This is an audiobook to get lost in.”—AudioFile, Earphones Award Winner

To browse the complete Elizabeth Strout collection, click here.