From the award-winning, best-selling author comes a rollicking novel with a dark undertow, set around three unforgettable individuals and a doomed movie set.

A producer. A novelist. An actress. It's summer 1968--a time of war and assassinations, protests and riots. While the world is reeling, our trio is involved in making a disaster-plagued, Swingin' Sixties British movie in sunny Brighton. All are leading secret lives. As the movie shoot zigs and zags, these layers of secrets become increasingly more untenable. Pressures build inexorably. The FBI and CIA get involved. Someone is going to crack--or maybe they all will. From one of Britain's best loved writers comes an exhilarating, tender novel--by turns hilarious and heartbreaking--that asks the vital questions: What makes life worth living? And what do you do if you find it isn't?
“The most accomplished novel I have read in a long while . . . Superbly wry and wise and funny and truthful . . . Boyd is a highly accomplished writer and Trio is a masterclass in artistic technique . . . Boyd pays as much detailed attention to minor characters as Flaubert himself . . . The balance of plot movement and interiority is also perfectly calibrated . . . Meanwhile everything is laced with an understated but refreshingly sophisticated wit . . . There are many literary amusements to be found in these pages, too . . . No wonder Boyd’s reputation is assured.”
—Edward Docx, The Guardian

“An elating read.”
—Peter Kemp, The Sunday Times 

Trio is a delight, one of Boyd’s best novels . . . What a pleasure it is to read a novel by an author who not only knows what he is doing and how to bring it off, but also remembers that people mostly read novels for enjoyment . . . Boyd is a master-craftsman . . . It is a juggling act and he doesn’t drop a single ball. Trio is a comic novel but one which is rich enough to admit sadness . . . Boyd moves from one register to another without striking a false note.”
—Allan Massie, The Scotsman
“Entertaining . . . Brilliantly drawn . . . Beautifully captures the chaos and exhilaration of a shambolic film set . . . Boyd’s funniest book in years.”
—Alexander Larman, Observer
“Boyd’s prose is as fluent as ever, but it’s the ideas pulsing beneath the surface of the story that distinguish Trio . . . Trio is affecting as a subtle exploration of the relationship between individuals and history and as a depiction of characters who are searching for the things that make life worth living.”
—Max Liu, Financial Times
“Boyd’s sublime gift for characterisation is given full flow in this pacy, utter treat of a novel.”
—Marianne Jones, Telegraph
“Boyd keeps the plot racing along, yet for all the twists, the real delight is in his wry portrait of a bygone age . . . Boyd’s usual sure touch is evident throughout this tender, gently comic work.”
—Martin Chilton, Independent
“A lavishly plotted page-turner which oozes ‘60s cool.”
“Reading William Boyd’s Trio is like shrugging on a favourite worn leather jacket on the first brisk morning of autumn: cosy but cool.”
—Laura Freeman, The Times
“What could be more reassuring in troubling times than a new William Boyd? Boyd, one of Britain’s best-loved writers, is known for intelligent and elegant character-driven books. Trio is cast from the same mould—with added larkiness . . . Trio is immensely readable, its descriptions full of light and colour, its humour spot on, its mood a perfect mix of frolicsome and melancholy.”
—Francesca Carington, Sunday Telegraph
“Entertainingly vivid . . . William Boyd is one of our best contemporary storytellers . . . Trio embraces comedy, tragedy, and redemption. It succeeds impressively because of its dramatic, often sensational, revelations.”
—Brian Martin, The Spectator

“Boyd has written comic novels, thrillers, thoughtful character studies, and fiction that ponders the 20th century’s great turning points. Now, with Trio, he combines all the above into a feast of storytelling crammed with delicious plots and subplots . . . Like the old pro he is, Boyd handles it with total aplomb, somehow keeping the pace both brisk and unhurried, as he heads towards a conclusion that binds the various threads together in a wholly satisfying way.”
—James Walton, Reader’s Digest
“Boyd evokes the porn, prescription drugs, and private investigators of the age with grace, an ingenious structure, and characters who surprise us almost as much as they surprise themselves.”
—Tom Payne, Mail on Sunday
“The characters are wonderfully written and I loved escaping to the gossipy world of the film set.” 
Good Housekeeping (Book of the Month)
“A diverting read that’s by turns raucous, charming, and eccentric.”

“A novel as charming as it is satisfying, a pleasure to read . . . The whole thing purrs along with such effortlessness that you are barely aware of the engine working underneath. There is much attention to period detail, a lovely portrait of the ‘60s British film world, and Boyd’s characters live breathe, and bruise vividly . . . And it confirms, once again, that Boyd, long a consummate storyteller, still has it.” 
—Nick Duerden, iNews

“The gentle, witty story includes genuinely heartbreaking moments and brilliantly captures the spirit of an era when change was in the air.”
—Deirdre O’Brien, Sunday Mirror
“Engrossing . . . An intelligent, entertaining, and layered read.”
The Arts Desk
“Absorbing . . . The story is made up of a series of dramas that can be read as separate if intertwined tales or as components in a satisfying whole. In Trio, in other words, three is never a crowd.”
The Economist

“Enormous fun . . . Boyd’s characters are vibrant, his prose elegant, comedy excellent: the result is a book that’s compassionate and compelling.”