A "marvelous" (Lauren Groff) and "gentle, mysterious and profound” (Marina Abramović) novel about a woman who has come undone.

A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.

In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.
    
What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos.

White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.
Praise for White on White

“In the middle ages, human skin was seen as a blanket stretched to cover a secret, inner life, writes Ayşegül Savaş.  Reading White on White for me is like an outer skin which you open layer by layer as you read; gentle, mysterious and profound.”
—Marina Abramović

"Ayşegül Savaş’ White on White is marvelous, as elegant as an opaque sheet of ice that belies the swift and turbulent waters beneath.”
—Lauren Groff

"White on White is a haunting, irresistible novel. I loved this book for its depth and perception, for its beauty and eerie rhythms, but most of all for its wonderfully dream-like spell. It's breathtaking."
—Brandon Taylor

“A superb novel by an exceptionally elegant, intelligent, and original writer.”
—Sigrid Nunez