Powerfully inventive and atmospheric, a modern gothic story of nine young women sent to work at a remote Alpine hotel and what happens when one of them goes missing

With toiletries, hairbands, and notebooks in her bag, and at her mother’s instruction, a nineteen-year-old girl leaves her parents’ home and the seaside town she grew up in. Out the train window, Rafa sees the lit-up mountains and perfect trees—and the Olympic Hotel waiting for her perched above the small village of Strega. There, she and eight other girls receive the stiff black uniforms of seasonal workers and move into their shared dorm. But while they toil constantly to perform their role and prepare the hotel for guests, none arrive. Instead, they contort themselves daily to the expectations of their strict, matronly bosses without clear purpose and, in their spare moments, escape to the herb garden, confide in each other, and quickly find solace together. Finally, the hotel is filled with people for a wild and raucous party, only for one of the girls to disappear. What follows are deeper revelations about the myths we teach young women, what we raise them to expect from the world, and whether a gentler, more beautiful life is possible.
 
In stimulating and uninhibited imagery, Johanne Lykke Holm builds a world laced with the supernatural, filled with the secrecy and potential energy of girls on the cusp of womanhood. An allegory for the societal rites, expectations of women, and violence we too easily allow, Strega builds like a spell that keeps exerting its powers long after reading.
Advance praise for Strega:

“A work of mythic reinvention about the power of girls coming of age in a world hell bent on containing their passions and imaginations. . . . Strega left me breathless, angry, and then thrilled by the dare it leaves in the reader's lap.” —Lidia Yuknavitch, author of Thrust and The Chronology of Water

“Utterly immersive, Strega is a modern-day fairy tale in the primeval sense, a visceral, hallucinatory allegory of coming into womanhood. It’s at once timeless and completely new, with surprising and evocative prose—a glittering translation of a masterful work.”  —Julia Fine, author of The Upstairs House and What Should Be Wild

Strega is the kind of book Lolita would write if she wrote like Thomas Mann. Johanne Lykke Holm uses the young women as her stage and transports you to another world, where everything is scenography. As uncompromising and brilliant as she is disturbing, I am forever devoted to the cult of her.” —Olga Ravn, author of Booker International finalist The Employees

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