The stunning, thought-provoking first novel by a "lost giant of American literature" (The New Yorker)

June, 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.
“[A] lost giant of American literature. . . . Brilliant.” —The New Yorker

“This fierce and brilliant novel is written with sympathy as well as sorrow. It’s a myth packed with real-world resonance.” —The Guardian
 
“Radical and important.” —Financial Times
 
“Kelley blended fantasy and fact to construct an alternative world whose sweep and complexity drew comparisons to James Joyce and William Faulkner.” —The New York Times
 
“A rare first novel; dynamic, imaginative, and accomplished.” —Chicago Sunday Tribune

“Powerful. . . . Unflinching. . . . A gift to literature.” —The Observer

“So brilliant is this initial novel that one must consider Mr. Kelley for tentative future placement among the paragons of American letters.” —Boston Sunday Herald

“Beautifully written and thought-provoking.” —Baltimore Evening Sun

“This first novel just perhaps could play a part in changing our history.” —Kansas City Star

“An astounding achievement . . . Timeless, mythic. . . . Still relevant and powerful today.” —The Sunday Times (London)

“Breathtakingly good. . . . Must be one of the most assured debuts of all time.” —Sjón, author of CoDex 1962

“An imaginative, brilliantly observed world of the 20th-century Deep South in turmoil. . . . Kelley delivers his observations with caustic humour and surprising compassion. The comparisons of his debut to the books of James Baldwin and Faulkner are justified.” —The Irish Times

“A rediscovered classic of African American literature. . . . A powerful novel that weaves intricate themes like racism, systemized oppression and identity together.” —Bookriot